Rachel Lockwood (1986-) began her composition studies while at Oxford University, studying composition (with Robert Saxton and Thomas Hyde), orchestration, and techniques of composition, in particular 16th-century vocal counterpoint. Encouraged by her personal tutor Dr Susan Wollenberg, she progressed to the Royal Northern College of Music after graduation, where she commenced studies with Adam Gorb.

Since arriving at the RNCM Rachel has taken part in a range of projects, including song writing for the Leeds Lieder Festival, a trio for violin, harp and bass clarinet for the Institute of Musical Research and a wind dectet based on her experience on the Fourth Plinth for the RNCM Wind Festival. She was also selected to work with the London Chamber Orchestra on a collaboration with the National Gallery, which resulted in performances in St John's, Smith Square and the National Gallery, as well as publication of the composition. The final movement of her violin concerto was performed in April, and a fanfare for her school orchestra will be performed in Birmingham Symphony Hall next month. She won the Alan Rawsthorne Prize for Composition as she left the College.

She is currently working on a range of projects, including a work for carbon-fibre cello and a solo movement for euphonium.